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BrothersJudd Blog
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NOT JUST ANOTHER BRICK: (Dec 25 2006 15:54 GMT) - Ferguson lets family, heart & soul be his guide (Lisa Olson, 12/25/06, NY Daily News) "Don't worry if you aren't sure where life will take you," [D'Brickashaw Ferguson] tells the crowd of football players, their parents, coaches and cheerleaders. "The journey will take you somewhere positive as long as you make the right choices." There are times when Ferguson sounds like such an old soul. It's as if his brain is cluttered with so much wisdom, so many positive thoughts, he sometimes needs to pause before fully completing a sentence. At 23, and graced with the talent and the luck to be working not more than a few miles from where he spent his childhood, Ferguson is nearly a man in full. |
tecnicalia.com
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Flickr Wallpaper Rotator (Dec 25 2006 15:52 GMT) - No soy de los que pueda estar todo el día cambiando de wallpaper en el ordenador pero esta utilidad relacionada con Flickr me ha gustado mucho. Flickr Wallpaper Rotator descarga y coloca como fondos de pantalla diferentes imágenes de Flickr atendiendo a varios parámetros que le indiques como usuario, palabra/s clave o frecuencia de actualización, entre otros. Funciona solo en Windows y es necesario .NET 2.0. |
BrothersJudd Blog
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WAIT, WE CAN'T BE ANTI-BLUE...: (Dec 25 2006 15:45 GMT) - "Children of Men": A reluctant hero carrying the hopes of a dying race (Mark Rahner, 12/25/06, Seattle Times) Imagine a country where the government rounds up and cages immigrants who desperately want in, terrorists bomb the joint where you get your morning coffee, and activists are as ruthless as the oppressive government they fight. Also, it's been nearly 20 years since any babies were born on Earth. That's the ultra-bleak world of Alfonso Cuarón's "Children of Men," which looks a lot like here and now, but takes place in 2027 England. I don't know what I expected from the director of "Y tu mamá también" and the third Harry Potter kiddie flick, but this dystopian masterpiece of misery kept me wound up for hours after the credits rolled. |
Comics
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Comics Online (Dec 25 2006 15:44 GMT) - Watch an exclusive clip from Spider Man 2: High Bandwidth Low Bandwidth Please Note: You will need Windows Media Player to watch these clips. In "Spider-Man 2," the latest installment in the blockbuster "Spider-Man" series, based on the classic Marvel Comics hero, Tobey Maguire returns as the mild-mannered Peter Parker, who is juggling the delicate balance of his dual life as college student and a superhuman crime fighter. Peter's life becomes even more complicated when he confronts a new nemesis, the brilliant Otto Octavius (Alfred Molina) who has been reincarnated as the maniacal and multi-tentacled "Doc Ock. |
Comics
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Marvel Comics History (Dec 25 2006 15:44 GMT) - Celebrate 65 years of cutting-edge comic-book artwork with this deluxe hardcover, a fitting tribute to the storied history of the House of Ideas! Featuring more than 100 illustrations from the 1940s through today, this brand-new volume brings you breathtaking looks at your favorite Marvel heroes and villains through the ages! A perfect companion piece to ART OF MARVEL VOL. |
Comics
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Selling Comic Books (Dec 25 2006 15:44 GMT) - From the creator of the cult favoriteAngry Youth Comix: the one-manMAD magazine strikes again!The most acclaimed (and controversial) humor cartoonist to burst on the comics scene since Peter Bagge, Johnny Ryan mixes social satire with an absurdist sense of humor to come up with some of the most notoriously hilarious comics in the last five years, in the pages of his ongoing comic book series,Angry Youth Comix.It's almost impossible to explain what makes something funny, but whatever it is, fans and critics agree that Ryan has it in spades. The book includes several stories featuring Ryan's signature creation, Loady McGee (and straight-man Synus O'Gynus), a misanthropic, acne-scarred hustler who finds himself in scams that would make Wimpy proud, and responds to almost everything with an endless stream of wisecracks, puns, and X-rated double entendres. |
Comics
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Comics (Dec 25 2006 15:44 GMT) - From Gary Larson's The Far Side to George Herriman's Krazy Kat, comic strips have two obvious defining features. They are visual narratives, using both words and pictures to tell stories, and they use word balloons to represent the speech and thought of depicted characters. Art historians have studied visual artifacts from every culture; cultural historians have recently paid close attention to movies. Yet the comic strip, an art form known to everyone, has not yet been much studied by aestheticians or art historians. |
Comics
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We Buy Comic Books (Dec 25 2006 15:44 GMT) - What are super-devoted fans of comic books really like? What draws them together and energizes their zeal? What do the denizens of this pop-culture world have in common? This book provides good answers as it scrutinizes the fans whose profiles can be traced at their conventions, in pages of fanzines, on websites, in chatrooms, on electronic bulletin boards, and before the racks in comic-book stores. They are a singular breed, and an absorbing interest in comic books (sometimes life-consuming) unites them. |
Comics
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The Silencer Marvel Comics (Dec 25 2006 15:44 GMT) - Embarrassed billionaires tried to keep a lid on this story, but it cried out to be told: how America's greatest comic-book company was driven to the brink of insolvency by warring tycoons and rescued from the abyss by two obscure but wily entrepreneurs. In the late 1980s, financier Ronald Perelman, worth billions and riding high after his hostile takeover of the cosmetics firm Revlon, bought Marvel Entertainment-legendary creator of Captain America, the Incredible Hulk, Spider-Man, the X-Men, and other superheroes-and he had big plans. He not only began churning out more comic books, he also acquired sports cards and other subsidiaries, impressing Wall Street so much that after he took the company public, Marvel's market value ballooned to over $3 billion. Perelman took advantage of the company's inflated valuation by selling junk bonds, and personally pocketing nearly $500 million. |
Comics
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Writing Comic Books (Dec 25 2006 15:44 GMT) - Fantagraphics is proud to publish Jules Feiffer's long out-of-print and seminal essay of comics criticism, The Great Comic Book Heroes, in a compact and affordable size. In 1965, Feiffer wrote what is arguably the first critical history of the comic book superheroes of the late 1930s and early 1940s, including Plastic Man, Batman, Superman, The Spirit and others. In the book, Feiffer writes about the unique the place of comics in the space between high and low art and the power which this space offers both the creator and reader. The Great Comic Book Heroes is widely acknowledged to be the first book to analyze the juvenile medium of superhero comics in a critical manner, but without denying the iconic hold such works have over readers of all ages. Out of print for over 30 years, Feiffer's book discusses the role that the patriotic superhero played during World War II in shaping the public spirit of civilians and soldiers, as well as the escapist power these stories held over the zeitgeist of America. |
Comics
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Office Comics (Dec 25 2006 15:44 GMT) - This two volume sets contains two slapstick comedies firmly rooted in the ridiculousness of everyday life, OFFICE SPACE (1999;R) and DUDE, WHERE'S MY CAR (2000;PG-13).OFFICE SPACE (1999;R): |
Comics
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Gay Comic Books (Dec 25 2006 15:44 GMT) - A half century ago gay men and lesbians were all but invisible in the media and, in turn, popular culture. With the lesbian and gay liberation movement came a profoundly new sense of homosexual community and empowerment and the emergence of gay people onto the medias stage. And yet even as the mass media have been shifting the terms of our public conversation toward a greater acknowledgment of diversity, does the emerging "visibility" of gay men and women do justice to the complexity and variety of their experience? Or is gay identity manipulated and contrived by media that are unwilling -and perhaps unable -to fully comprehend and honor it? While positive representations of gays and lesbians are a cautious step in the right direction, media expert Larry Gross argues that the entertainment and news media betray a lingering inability to break free from proscribed limitations in order to embrace the complex reality of gay identity. |
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